Debating Ethnic and
Professional Identity in an Online Magicians' Forum
Graham Jones (MIT)
Friday, February 3, 4:00-5:00
Classroom Office Building 100
(800 East Third St.)
Also, at 1:00-2:00, Classroom
Office Building 272
Discussion with graduate
students about his article
"Talking Text and Talking
Back: ‘My BFF Jill’ from Boob Tube to YouTube”
In 2009, a young and virtually
unknown magician of North African descent began making weekly appearances on a
primetime French talk show, performing card tricks for invited guests. It is
uncommon for magic to feature so prominently on television and, not surprisingly,
magicians themselves watched closely, voicing their assessments in a thriving
online forum devoted to Francophone magic culture. Eventually, this thread
would swell to over 600 posts, becoming the longest, and arguably most
divisive, in the forum’s ten-year history. Drawing on long-term ethnographic
research among French magicians, I analyze this thread as a social drama that
revealed tensions and precipitated schisms within this secretive community of
entertainers. Debates about the significance of ethnic background in explaining
this particular magician’s success reflected vexed attitudes towards ethnicity
in contemporary France; they also articulated with questions of professional
theodicy: why does anyone succeed or fail in this line of work, and what does
this reveal about the cultural status of magic? In examining how considerations
of ethnic and professional identity intersect within this thread, I also
address the significance of the forum itself as a channel of communication with
distinctive conventions and affordances.
Graham Jones is a cultural and
linguistic anthropologist, whose research focuses on knowledge and rationality
in practice, performance, and interaction. After studying literature at Reed
College (BA, 1998) and anthropology at New York University (PhD, 2007), he was
a postdoctoral member of the Princeton University Society of Fellows
(2007-2010). Based on almost two years of field research, his first book
explores the secretive subculture of entertainment magic in contemporary Paris,
revealing how French magicians acquire the knowledge and skill necessary to
produce their mystifying illusions. His related research explores the
historical significance of magic in colonial spaces of intercultural
performance, and the use of magic tricks as a medium for religious messages by
Evangelical “gospel magicians” in the contemporary United States. He has also
carried out extensive research on the linguistic dimensions of
computer-mediated communication (particularly instant and text messaging), an
area he continues to pursue. His new book is Trade of the Tricks: Inside the
Magician's Craft (University of California Press, 2011).


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